Occasionally, exceptional talent, artistic depth, and extraordinary energy collide to create an unparalleled career. Sometimes, publicity agents can energize the career of a talented artist, but these same agents are unable to manufacture artistic depth. After all, "If music is sound with thought, then talent is a very poor weapon to have at one's disposal." (Daniel Barenboim, Reith Lectures)Dudamel certainly has caught the imagination of the public. Palpable excitement follows his every move. The Göteborgs Symfoniker was able snag him before the mania began and this present release by Deutsche Grammophon is the product of the relationship between the orchestra and its superstar conductor.
At first glance, the repertoire seems unrelated (Bruckner 9, Sibelius 2, Nielsen 4 & 5). However, as the record jacket points out, all the pieces were written within a thirty year period. Dudamel chose the repertoire based on successful concerts from the previous few years. The result is rather stunning. The Göteborgs Symfoniker sounds very good in Bruckner's sonic architecture. Furthermore, they perform Nielsen and Sibelius's Nordic sound worlds with aplomb.
Bruckner's 9th is quite remarkable. Usually, Bruckner (especially the 9th) is reserved for old men. However, Dudamel, like Mehta before, fairs quite well. The Göteborgs Symfoniker has a very unique sound which serves Bruckner's intentions quite admirably. Dudamel has the ability to let the music unfold organically and his innate sense of architecture serves him well. This does not mean that it has replaced my cherished Günter Wand or Sergiu Celibidache recordings but it does belong on the same shelf.
Sibelius' 2nd Symphony receives a luxurious performance. Occasionally, Dudamel is a little fussy, but over all this account is as beautiful as one might ever encounter. From the opening throbbing of the strings to the finale, Dudamel creates magical moments. Aside from a few intonation blemishes, this performance is exceptional.
The Nielsen Symphonies (4 & 5) which comprise the third disc receive phenomenal performances. Nielsen is a unique composer and one which many conductors have failed to understand. Dudamel seems to have developed an understanding for Nielsen and is able to deliver convincing results. These are as fine as any of the truly great Nielsen recordings.
This album is priced reasonably and is perfect for both novices and avid collectors. Dudamel shows us that occasionally great artistic depth lies beneath the facade of carefully generated publicity.
Bruckner 9: Münchner Philharmoniker, Sergiu Celibidache
Sibelius 2: Sinfonia Lahti, Osmo Vänskä
Nielsen 4 & 5: Kungliga Filharmoniska Orkestern, Gennady Rozhdestvensky
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